Are You a Rule-Follower Like Me?

Sometimes You Just Gotta Break the Rules

I like to think I’m a free-thinker, but if I’m honest, I’m usually a rule follower, especially when it comes to guitar tone, pedal order, and signal chain “best practices.”

But lately I’ve been trying to understand not just what the rules are, but why they exist, and when it’s okay to bend them to serve the song.

This past Sunday was one of those moments.

The Reality of Being the Only Electric Guitar on a Worship Team

I normally have the privilege of serving alongside another great guitarist, Greg. This week he was out, so it was just me covering all the electric parts.

We opened with I Know A Name in the key of B.

If you’ve played it, you know the original recording is in C and the chorus really leans on open cowboy chords to sound full. My usual approach is to shift to an E-shape barre chord at the 7th fret.

But as the only guitarist, I was concerned that higher voicings would sound thin and leave too much empty space.

I needed a way to keep the fullness of open chords while still playing in the correct key.

A Quick HX Stomp Workaround That Actually Worked

My first thought was to use Poly Capo on the HX Stomp, a super useful tool for situations like this. But when I tried to add it, I didn’t have enough DSP left in the preset.

So I tried something I normally wouldn’t recommend…

I dropped a Simple Pitch block at the very beginning of the chain, set it to:

  • –1 Interval
  • 100% Mix

That effectively turned my open C chord shape into a B.

Suddenly I could play the same full chord shapes the song was built around without the thin barre chord sound.

In the Mix, It Sounded Bigger Than Expected

Running through the song during rehearsal, I was honestly surprised.

Was it flawless? No.

But in the full band mix:

  • The artifacts were barely noticeable
  • The guitar filled the room much better
  • The chorus felt natural instead of thin
  • It supported the band the way a second guitarist normally would

Sometimes what looks questionable on paper works perfectly in context (at least acceptably).

Encouragement for Worship Guitar Players

There are definitely solid best practices for building a pedalboard and signal chain. But when you’re serving the song, especially as the only electric guitarist, flexibility matters more than perfection.

If you’ve ever felt stuck because:

  • A song is in a tough key
  • You’re covering parts alone
  • Your tone feels thin
  • You don’t have the “ideal” gear

…it might be worth experimenting before buying something new. You may already have what you need.

Final Thought

I share this as encouragement to try things, test ideas, and not feel locked into what everyone says is “correct”.

Use the tools you have. Serve the song. Support your team.

And every once in a while…

Break the rules.

This Post Has 2 Comments

  1. kevin logan

    I have a Helix LT and I used to do the same thing with the pitch block. Using the Poly capo uses a tremendous amount of DSP and I often ran into issues if I had dual amp and stereo delays and verbs. So I would add a pitch block. I have since started using an external pitch shifter. I started with the DigiTech drop but often ran into needing to shift up so I got the Boss Poly-shifter. The Poly shifter does up and down shifting but since I already had the Drop I have both hooked up so I can do up and down shifting without changing settings. We quite often will have sets where I need to shift in both directions.

    1. Stacy Gamel

      Running your pitch pedals into the Helix is an awesome idea! How do you like the Boss Poly-Shifter? A pitch pedal is something I’ve been thinking about getting.

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